info + contact
3 January 2014

studio@adamlampton.com

BIO

In addition to exhibiting internationally, Adams photographic work has been seen in publications including Art in America, The Boston Globe, and Camera Austria. He is a recipient of a 2006-07 William J. Fulbright fellowship to Macao, SAR, China and a finalist for a 2007 Massachusetts Cultural Council Artist Grant. He currently is Associate Professor of Studio Arts and Chair at Stonehill College in Easton, MA. He lives in Maine.

 For information regarding print sales contact Carroll and Sons

 

  • EDUCATION

    Massachusetts College of Art, MFA, Photography, 2004

    Colorado College, BA, English. Minor, Arts Theory and Practice, 2000

    AWARDS/DISTINCTIONS

    William J. Fulbright Grant, Macao, SAR China, 2006-07

    Visiting Scholar Faculty of Sociology, University of Macao 2015, 2019

    The Print Center, The Society for Photographic Education Award, 2018

    St. Botolph Emerging Artist Award, 2008

    Finalist, Lange-Taylor Prize, CDS, 2008

    Photolucida, Critical Mass Finalist, 2008

    Massachusetts Cultural Council Artist Grant, Finalist, 2007

    Visiting Fellow of Sociology and Humanities, University of Macao 2006-07

    TEACHING

    2007-PRESENT

    Associate Professor and Chair of Visual and Performing Arts, Stonehill College, Easton,MA

    previously

    Emerson College

    Massachusetts College of Art

    Tufts/ Experimental College

    Rhode Island College

    Massachusetts College of Art- Continuing Education

    Art Institute of Boston

    SELECTED EXHIBITIONS

    The Print Center, 92nd Annual International Competition, Philadelphia, PA

    Materiality | | The Matter of the Matter, Center for Maine Contemporary Art, Rockland, Maine

    Selected Video Pieces, Center for Maine Contemporary Art, Rockland, Maine

    MASSMocA, Assets for Artists, Juried Artist Residency

    Field Study, Filter Photo at David Weinberg Photography, Chicago, Il

    Photography Now, Cambridge Art Asc., Cambridge, MA

    DYI: Photographers and Books, Cleveland Museum of Art, Cleveland, OH

    Nothing Serious Can Happen Here,  Solo Exhibition, Carroll and Sons, Boston, MA

    City of Dreams, Solo Exhibition, Montserrat College of Art

    St. Botolph Foundation Award Show, Boston, MA

    Annual Juried Auction, Bakalar Gallery, Massachusetts College of Art, Boston, MA

    What Remains, Two-Person Exhibition (with Milee Tibbs), Cushing Martin Gallery Stonehill College, North Easton, MA

    Boston Drawing Project, Carroll and Sons, Boston, MA

    A4 Gallery, Massachusetts College of Art, Solo Exhibition, Boston, MA

    Bernard Toale Gallery/ Boston Drawing Project, Boston, MA

    Humble Arts Foundation, Group Exhibition #25, humbleartsfoundation.org

    NEO, Photographic Resource Center, Boston, MA

    Uncommon Denominator, Trustman Gallery, Simmons College, Boston, MA

    ArtHouse, Jamaica Plain, MA

    Annual Juried Auction, Bakalar Gallery, Massachusetts College of Art, Boston, MA

    Toledo Friends of Photography National Juried Exhibition, University of Toledo

    GroundingWork, Massachusetts College of Art, Boston, MA

    Insights, MCC Finalist Exhibition, Arsenal Center for the Arts, Watertown, MA

    Belonging, Creative Macau, SAR China

    Work in Progress, Solo Exhibition, University of Macao, SAR China

    Culpepper Gallery, Solo Exhibition, New York, NY

    Connections, Studio Montclair National Juried Exhibition, Montclair, NJ

    Nothing to be Done, Urban Institute for Contemporary Arts, Grand Rapids, MI

    Nothing to be Done, E3 Gallery, New York, NY

    Art House, Walk Hill, Jamaica Plain, MA

    Fort Point Channel Open Studios, Boston, MA

    Frances N. Roddy Open Competition, Concord Art Association, Concord, MA 

    Closer In, Contemporary Artists Center, North Adams, MA

    The Pittsfield Project, Storefront Artists Galleries, Pittsfield, MA

    The Pittsfield Project, Doran Gallery, Massachusetts College of Art, Boston, MA

    SELECTED PRESS/ PUBLICATIONS/LECTURES

    Tourist Utopias:Offshore Islands, Enclave Spaces, and Mobile Imaginaries, Timothy Simpson (ed.), Amsterdam Press 2020, images to accompany essays

    Hack and Handsaw, Unity College, Online Journal and Exhibit, 2018

    https:// hawkandhandsaw.unity.edu/tag/adam-lampton/

    Fast Capitalism, “Macau Noir: Criminal Brotherhoods, Casino Capitalism, and the Case of the Post-Socialist Chinese Consumer”, issue 8.1, www.fastcapitalism.com, November 2011

    Space and Culture, “Macao Monuments: In Art, in Poetry, and in Your Face”, January 2011

    Art in America, review, September 2010

    Camera Austria, feature in Forum, December 2010, issue #112

    The Boston Globe, review, “Stop motion Discourse”, Section ‘g’, March 10, 2010

    The Boston Globe, editor’s pick, calendar, March 16, 2010

    Boston Magazine, “Threshold: Editor’s Pick”, Spring 2010

    Tourist Studies, “ Materialist pedagogy: The function of themed environments in post-socialist consumption in Macao”, 2010

    World Architecture, “Macao’s Mediterranean Motifs”,  #234, Dec. 2009

    Environment and Planning, “Macao, Capital of the 21st Century?”, Dec. 2008   

    Macau Closer, interview, November 2007

    Ponto Final, “No interior da paisagem”, feature, March 22, 2007

    Polar Inertia Journal, Macao portfolio, March/April 2007

    Art in America, “Down East”, May 2006

    Photographs, featured artist, Fall 2006

    Maisonneuve, ‘Cities Issue’, Photo Essay, December 2005

    COLLECTIONS
    Fidelity Investments, Boston, MA

    Cleveland Museum of Art library, Cleveland, OH

    University of Macau, Macao, SAR, China

    Hudson Bay Company, New York, New York




     

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