Info + Contact

studio@adamlampton.com

BIO

In addition to exhibiting internationally, Adams photographic work has been seen in publications including Art in America, The Boston Globe, and Camera Austria. He is a recipient of a William J. Fulbright fellowship to Macao, SAR, China and a finalist for a Massachusetts Cultural Council Artist Grant. He currently is Associate Professor of Studio Arts and Chair at Stonehill College in Easton, MA. He lives in Maine.

 For information regarding print sales contact Carroll and Sons

 

EDUCATION

MFA, Photography, Massachusetts College of Art

BA, Colorado College

AWARDS/DISTINCTIONS

William J. Fulbright Grant, Macao, SAR China, 2006-07

Visiting Scholar Faculty of Sociology, University of Macao 2015, 2019

The Print Center, The Society for Photographic Education Award, 2018

St. Botolph Emerging Artist Award, 2008

Finalist, Lange-Taylor Prize, CDS, 2008

Photolucida, Critical Mass Finalist, 2008

Massachusetts Cultural Council Artist Grant, Finalist, 2007

Visiting Fellow of Sociology and Humanities, University of Macao 2006-07

TEACHING

2007-PRESENT

Associate Professor and Chair of Visual and Performing Arts, Stonehill College, Easton,MA

previously

Emerson College

Massachusetts College of Art

Tufts/ Experimental College

Rhode Island College

Massachusetts College of Art- Continuing Education

Art Institute of Boston

SELECTED EXHIBITIONS

The Print Center, 92nd Annual International Competition, Philadelphia, PA

Materiality | | The Matter of the Matter, Center for Maine Contemporary Art, Rockland, Maine

Selected Video Pieces, Center for Maine Contemporary Art, Rockland, Maine

MASSMocA, Assets for Artists, Juried Artist Residency

Field Study, Filter Photo at David Weinberg Photography, Chicago, Il

Photography Now, Cambridge Art Asc., Cambridge, MA

DYI: Photographers and Books, Cleveland Museum of Art, Cleveland, OH

Nothing Serious Can Happen Here,  Solo Exhibition, Carroll and Sons, Boston, MA

City of Dreams, Solo Exhibition, Montserrat College of Art

St. Botolph Foundation Award Show, Boston, MA

Annual Juried Auction, Bakalar Gallery, Massachusetts College of Art, Boston, MA

What Remains, Two-Person Exhibition (with Milee Tibbs), Cushing Martin Gallery Stonehill College, North Easton, MA

Boston Drawing Project, Carroll and Sons, Boston, MA

A4 Gallery, Massachusetts College of Art, Solo Exhibition, Boston, MA

Bernard Toale Gallery/ Boston Drawing Project, Boston, MA

Humble Arts Foundation, Group Exhibition #25, humbleartsfoundation.org

NEO, Photographic Resource Center, Boston, MA

Uncommon Denominator, Trustman Gallery, Simmons College, Boston, MA

ArtHouse, Jamaica Plain, MA

Annual Juried Auction, Bakalar Gallery, Massachusetts College of Art, Boston, MA

Toledo Friends of Photography National Juried Exhibition, University of Toledo

GroundingWork, Massachusetts College of Art, Boston, MA

Insights, MCC Finalist Exhibition, Arsenal Center for the Arts, Watertown, MA

Belonging, Creative Macau, SAR China

Work in Progress, Solo Exhibition, University of Macao, SAR China

Culpepper Gallery, Solo Exhibition, New York, NY

Connections, Studio Montclair National Juried Exhibition, Montclair, NJ

Nothing to be Done, Urban Institute for Contemporary Arts, Grand Rapids, MI

Nothing to be Done, E3 Gallery, New York, NY

Art House, Walk Hill, Jamaica Plain, MA

Fort Point Channel Open Studios, Boston, MA

Frances N. Roddy Open Competition, Concord Art Association, Concord, MA 

Closer In, Contemporary Artists Center, North Adams, MA

The Pittsfield Project, Storefront Artists Galleries, Pittsfield, MA

The Pittsfield Project, Doran Gallery, Massachusetts College of Art, Boston, MA

SELECTED PRESS/ PUBLICATIONS/LECTURES

Tourist Utopias:Offshore Islands, Enclave Spaces, and Mobile Imaginaries, Timothy Simpson (ed.), Amsterdam Press 2020, images to accompany essays

Hack and Handsaw, Unity College, Online Journal and Exhibit, 2018

https:// hawkandhandsaw.unity.edu/tag/adam-lampton/

Fast Capitalism, “Macau Noir: Criminal Brotherhoods, Casino Capitalism, and the Case of the Post-Socialist Chinese Consumer”, issue 8.1, www.fastcapitalism.com, November 2011

Space and Culture, “Macao Monuments: In Art, in Poetry, and in Your Face”, January 2011

Art in America, review, September 2010

Camera Austria, feature in Forum, December 2010, issue #112

The Boston Globe, review, “Stop motion Discourse”, Section ‘g’, March 10, 2010

The Boston Globe, editor’s pick, calendar, March 16, 2010

Boston Magazine, “Threshold: Editor’s Pick”, Spring 2010

Tourist Studies, “ Materialist pedagogy: The function of themed environments in post-socialist consumption in Macao”, 2010

World Architecture, “Macao’s Mediterranean Motifs”,  #234, Dec. 2009

Environment and Planning, “Macao, Capital of the 21st Century?”, Dec. 2008   

Macau Closer, interview, November 2007

Ponto Final, “No interior da paisagem”, feature, March 22, 2007

Polar Inertia Journal, Macao portfolio, March/April 2007

Art in America, “Down East”, May 2006

Photographs, featured artist, Fall 2006

Maisonneuve, ‘Cities Issue’, Photo Essay, December 2005

COLLECTIONS
Fidelity Investments, Boston, MA

Cleveland Museum of Art library, Cleveland, OH

University of Macau, Macao, SAR, China

Hudson Bay Company, New York, New York




 

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